Latest Arrivals | Boost Guitar Pedals

Latest Arrivals

See the latest arrivals from our roster of pedal builders, including awesome pedals from the likes of Raygun FX, Greenhouse Effects, Fredric Effect, Zander Circuitry, and Formula B!

RAYGUN FX Aurora Mini Lo-Fi Delay V2 transparent front | Boost Guitar Pedals
RAYGUN FX Aurora Mini Lo-Fi Delay V2 transparent front | Boost Guitar Pedals
RAYGUN FX Aurora Mini Lo-Fi Delay V2 context front | Boost Guitar Pedals

RAYGUN FX Aurora Mini Lo-Fi Delay V2

£65.00

Wide-Ranging Characterful Delay...

The Raygun FX Aurora Mini Lo-Fi Delay V2 is the better behaved little brother of the full sized Aurora Delay V2.

The Aurora Mini retains some key features of the Aurora, namely that gorgeous lo-fi textural character and the ability to switch between short and long delay speeds, but ditches the spacey weirdness of its elder sibling in pursuit of a super-compact enclosure perfect for a crowded pedalboard and an even more appealing price tag.

If you're after a delay pedal that has tons of analogue character and can go from pseudo-reverb and slapback all the way to shoegazer and prog, but you need to maximise space on your pedalboard, then the Aurora Mini is for you!

Features:

  • Analogue-style lo-fi delay
  • Two delay speeds
  • Mix, Speed, Repeat & Short/Long controls
  • Handmade in the UK
  • True Bypass
  • Power: 9V DC, 100mA centre-negative (not included)
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RAYGUN FX Aurora Lo-Fi Delay V2 Transparent Front | Boost Guitar Pedals
RAYGUN FX Aurora Lo-Fi Delay V2 Transparent Front | Boost Guitar Pedals
RAYGUN FX Aurora Lo-Fi Delay V2 Context Right | Boost Guitar Pedals
RAYGUN FX Aurora Lo-Fi Delay V2 Context Front | Boost Guitar Pedals

RAYGUN FX Aurora Lo-Fi Delay V2

£89.00

Grainy Analogue-Style Space Delay...

The Raygun FX Aurora Lo-Fi Delay V2 takes you deep into space with its combination of analogue-style decay and dedicated Space control that goes from background wash to full on black hole implosion.

The Aurora Lo-Fi Delay V2 has two selectable delay speeds; short and long. It also features two delay modes, one being lo-fi and the other being very lo-fi! This is definitely a pedal for all you fan of analogue noise and textures.

This pedal's party piece is its Space footswitch, which creates an infinitely sustaining self-oscillating effect based on whatever you are playing, controllable from the Space Depth control. Turned down low it'll give a subtle wash, while turned all the way up it gets very crazy very quickly.

Features:

  • Analogue-style lo-fi delay
  • Space momentary footswitch for infinitely sustaining self-oscillation
  • Two delay modes
  • Two delay speeds
  • Space Depth, Repeat, Blend, Speed, Delay Mode & Short/Long controls
  • Handmade in the UK
  • True Bypass
  • Power: 9V DC, 100mA centre-negative (not included)

 

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FREDRIC EFFECTS Zesty Comp transparent front | Boost Guitar Pedals
FREDRIC EFFECTS Zesty Comp transparent front | Boost Guitar Pedals
FREDRIC EFFECTS Zesty Comp context left | Boost Guitar Pedals
FREDRIC EFFECTS Zesty Comp context front | Boost Guitar Pedals

FREDRIC EFFECTS Zesty Comp

£100.00

Squashes and Juices Your Signal...

The Fredric Effects Zesty Comp is an evolution of the classic Dan Armstrong Orange Squeezer compressor.

A characterful rather than transparent compressor, the Zesty Comp thickens your tone, adding sustain, attack, presence and even some top-end sparkle.

As Tim at Fredric Effects explains, "This is truly compression as an effect - there are none of the 'is it on?' moments you can get with certain transparent compressors".

Input Gain

An addition to the original Orange Squeezer design, the Input Gain allows you to compensate for pickup output, whether you are running single-coils or humbuckers. The hotter the input signal, the more it will be compressed.

Compression Toggle

Another addition for the Zesty Comp is the three-way toggle switch allowing you to select three different levels of compression. Pick from a lighter touch to super-compressed and characterful.

Level

If you want to get creative, you can use the Zesty Comp as a boost pedal. Set the Level control above unity gain and kick it in on a solo to push your amp and also add all that compression loveliness.

Features:

  • An evolution of the classic Dan Armstrong Orange Squeezer compressor
  • Three compression settings
  • Handbuilt in London
  • Input Gain, Level & Compression toggle controls
  • Power: 9V centre-negative or 9V battery (neither included)

 

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FORMULA B Vintage Vibe Mk2 front transparent | Boost Guitar Pedals
FORMULA B Vintage Vibe Mk2 front transparent | Boost Guitar Pedals
FORMULA B Vintage Vibe Mk2 front context | Boost Guitar Pedals

FORMULA B Vintage Vibe Mk2

£199.00

So Addictive!

The Formula B Vintage Vibe Mk2 is a superb homage to the original 'Leslie-in-a-pedal', the Uni-Vibe. It's one of those memorable and highly addictive effects, up there with fuzz in terms of the character it endows songs with. 

Most famously used by Jimi Hendrix during his Woodstock set and live Band Of Gypsys album, as well as by David Gilmour on Pink Floyd tracks such as 'Breathe', and Robin Trower on his Bridge Of Sighs album, the Uni-Vibe is all over late-1960s and early '70s rock.

The Formula B Vintage Vibe Mk2 sounds phenomenal with its fully discrete, analogue signal path. Made with original THT BC549 and 2Sc1815 transistors and quality photoresistors, plus an internal voltage doubler giving 18V of power, this is capable of achieving seriously chewy, organic chorus and vibrato effects with plenty of headroom.

Like the original, the Vintage Vibe Mk2 has a Volume control that allows you to achieve unity gain with the rest of your setup. You can even use it to boost your amp or other pedals - there's plenty of volume gain on tap.

Chorus/Vibrato toggle

With the toggle in the Chorus position you get the full Uni-Vibe experience. With the toggle in the Vibrato position you get out of tune pitch-bend vibrato.

Dual footswitch

The dual-footswitch design allows you to set Speed 1 and Speed 2 and access them on-the-fly. A typical setup would be to use a slower speed for rhythm playing then kick in a faster speed for solos.

Features:

  • Analogue chorus/vibrato based on the Uni-Vibe
  • Dual-speed operation with two separate footswitches
  • Old-stock transistors and high quality photoresistors
  • 9V to 18V internal voltage doubler
  • Power: 9V power adaptor, centre-negative (not included)
  • Current draw: 100-150mA

 

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FORMULA B Fuzz Rangers front transparent | Boost Guitar Pedals
FORMULA B Fuzz Rangers front transparent | Boost Guitar Pedals
FORMULA B Fuzz Rangers Context Left | Boost Guitar Pedals

FORMULA B Fuzz Rangers

£175.00

Legendary Boost & Fuzz In One Pedal!

The Formula B Fuzz Rangers takes two iconic circuits and encloses them in a beautifully finished chassis, with vintage-style controls. With the option to run the Fuzz or Boost independently, it's an incredibly flexible pedal for your pedalboard, but where it gets interesting is that there's a toggle to set the direction of the signal. You can choose whether to run the Boost into the Fuzz, or vice-versa. The results differ dramatically...

Fuzz

The Fuzz circuit is based on the silicon Fuzz Face, using a pair of NOS military-spec BC108 transistors and carbon-layer resistors. It sounds great on its own, and reacts really nicely to your guitar's volume pot - as Fuzz Faces do. Running the Fuzz into the Boost gets you a clearer tone with plenty of gain to push your amp, showcasing all that lovely Fuzz Face breakup.

Boost

The Boost circuit is based on the Dallas Rangemaster Treble Booster, with silicon BC549 transistors to reduce compatibility problems (polarity, power etc) with the Fuzz circuit. Uniquely, there's a toggle switch to shift the Boost emphasis between Low, Mid and High frequencies, making it more flexible than a traditional Rangemaster. Running the Boost into the Fuzz saturates the input of the Fuzz Face and gets you a rich, warm, super-fuzzy character which responds well to how you set the EQ toggle.

More than simply for fans of Jimi Hendrix and Stevie Ray Vaughan, this pedal will serve you well with its vintage vibe and tonal flexibility.

Features:

  • Dual-channel pedal with independent Fuzz and Boost circuits.
  • NOS BC108 transistors and carbon-layer resistors on the Fuzz side.
  • Silicon-based Rangemaster circuit on the Boost side for greater compatibility with the Fuzz.
  • Effects Order toggle switch enables you to run the Fuzz into the Boost, or the Boost into the Fuzz when both channels are activated.
  • EQ toggle allows you to emphasise Low, Mid or High frequencies on the Boost side.
  • Handmade in Todi, Italy
  • Fuzz, Level, Boost, EQ toggle & Effects Order toggle controls
  • Power: 9V power supply, centre-negative (not included)
  • Current draw: 10mA
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FORMULA B Super Plexi V front transparent | Boost Guitar Pedals
FORMULA B Super Plexi V front transparent | Boost Guitar Pedals
FORMULA B Super Plexi V context left | Boost Guitar Pedals

FORMULA B Super Plexi V

£160.00

The Essence of the '60s...

If you hadn't guessed it already, the Formula B Super Plexi V (for "Vertical" - they also do a horizontal version) is based on the Marshall JTM45 "Plexi", with an additional Boost channel thrown in for good measure, capturing the sound of many legendary players from the 1960s onwards.

Effects Order

The Super Plexi V uses a rare Fairchild J201 MOSFET for beautifully warm, responsive tube-like tone. Like the Formula B Fuzz Rangers, there's a toggle to set whether the Boost comes before or after, giving you extra control of your sound - and more options to set your tone on fire!

Boost

The Boost channel on its own gives you plenty of gain to push your amp onto overdrive, but this pedal really comes alive when you partner it with the Plexi channel. Run the Boost before the Plexi for lovely saturation and density; run the Boost after the Plexi to increase the volume and gun your amp's power tubes.

Features:

  • Dual channel "Marshall-in-a-box" pedal with independent Boost and Plexi channels
  • Featuring a rare Fairchild J201 MOSFET for responsive tube-like tone
  • Effects Order toggle switch enables you to run the Boost into the Plexi, or the Plexi into the Boost when both channels are activated
  • Handmade in Todi, Italy
  • Level, Gain, Tone, Boost & Effects Order toggle controls
  • Power: 9V power supply, centre-negative (not included)
  • Current draw: 10mA

 

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ZANDER CIRCUITRY American Geek transparent front | Boost Guitar Pedals
ZANDER CIRCUITRY American Geek transparent front | Boost Guitar Pedals

ZANDER CIRCUITRY American Geek

£149.00

Big Muff for the 21st Century...

The Zander Circuitry American Geek takes all that's great about the classic silicon Big Muff circuit and ramps it up a notch. Combining one of the most popular vintage guitar sounds with modern circuit design, the American Geek needs to be experienced.

Key to getting a great tone with a Muff-style fuzz is the EQ, and the American Geek features a super-tweakable EQ section. Two Shift controls alter the capacitor values in the tone stack, adjusting the filter sweep and cut-off. These controls interact with the Tone control to enable you dial in all versions of the silicon Big Muff - and more.

What's new?

This latest version of the Zander Circuitry American Geek features a more compact footprint, beautiful knurled steel controls, and an upgrade from six to eight options on the signature clipping selector:

  • Germanium: A smooth, sweet sounding form of clipping, very ‘amp-like’ in its response.
  • Silicon: Louder, brighter and more aggressive sounding.
  • LED: Even louder, less saturated but very punchy.
  • Asymmetrical germanium: A more aggressive germanium sound.
  • Asymmetrical silicon: Beefing up the aggression of the silicon sound.
  • Asymmetrical LED: A more aggressive version of the LED sound.
  • MOSFET: Similar to the silicon setting but a bit sweeter, crunchier and a touch more saturated.
  • No  diodes: Loads of output but not much gain.

The pedal features two footswitches, the second of which gives you access to the Blast function - a second channel with an independent volume control and the gain set to maximum. The switches support both momentary and latching switching, meaning that you can temporarily engage a channel by holding your foot down on the relevant switch then releasing it when you're done.

Features:

  • Updated version of American Geek fuzz for 2021
  • Top-mounted jacks
  • Gain, Tone, Shift 1, Shift 2, Blast, Level & Diode Selector controls
  • Power: 9V power adaptor, centre-negative (not included).
  • Current draw: 126mA

 

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ZANDER CIRCUITRY Siva front transparent | Boost Guitar Pedals
ZANDER CIRCUITRY Siva front transparent | Boost Guitar Pedals

ZANDER CIRCUITRY Siva

£149.00

The "Siamese Dream" Fuzz, On Steroids...

The Zander Circuitry Siva takes the late '70s IC/op-amp Big Muff - as used so effectively by The Smashing Pumpkins - and drags it kicking and screaming into the 21st century.

The op-amp Muff circuit is perfect for grunge, but can do so much more: it's crunchy, sludgy and is packed full of crushing gain.

Key to getting a great tone is the EQ, and the Siva features a super-tweakable EQ section. Two Shift controls alter the capacitor values in the tone stack, adjusting the filter sweep and cut-off. These controls interact with the Tone control to enable you to dial in the perfect sound.

What's new?

This latest version of the Zander Circuitry Siva features a more compact footprint, beautiful knurled steel controls, and an upgrade from six to eight options on the signature clipping selector:

  • Germanium: A smooth, sweet sounding form of clipping, very ‘amp-like’ in its response.
  • Silicon: Louder, brighter and more aggressive sounding.
  • LED: Even louder, less saturated but very punchy.
  • Asymmetrical germanium: A more aggressive germanium sound.
  • Asymmetrical silicon: Beefing up the aggression of the silicon sound.
  • Asymmetrical LED: A more aggressive version of the LED sound.
  • MOSFET: Similar to the silicon setting but a bit sweeter, crunchier and a touch more saturated.
  • No  diodes: Loads of output but not much gain.

The pedal features two footswitches, the second of which gives you access to the Blast function - a second channel with an independent volume control and the gain set to maximum. The switches support both momentary and latching switching, meaning that you can temporarily engage a channel by holding your foot down on the relevant switch then releasing it when you're done.

Features:

  • Updated version of Siva fuzz for 2021
  • Top-mounted jacks
  • Gain, Tone, Shift 1, Shift 2, Blast, Level & Diode Selector controls
  • Power: 9V power adaptor, centre-negative (not included).
  • Current draw: 140mA
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ZANDER CIRCUITRY Foxxton Woods front transparent | Boost Guitar Pedals
ZANDER CIRCUITRY Foxxton Woods front transparent | Boost Guitar Pedals

ZANDER CIRCUITRY Foxxton Woods

£149.00

Upper-Octave Fuzz...

The Zander Circuitry Foxxton Woods is an octave fuzz based on the 1970s Foxx Tone Machine. But in true Zander Circuitry fashion, the Foxxton Woods takes the concept to another level, with extra controls giving far more versatility than the original.

Since the 1960s, fuzz has gone hand-in-hand with octave effects, and it's been popular ever since. The Foxxton Woods spans eras with its tones, from classic '60s to filthy '90s and more. 

The Body Control adjusts the low-end frequencies, allowing you to dial in muscular, deep tones or a tighter, more focused sound for cutting through a mix - or somewhere in between. 

The Shift control adjusts the mid-range frequencies, enabling you go from mid-scooped to mid-boosted tones.

What's new?

This latest version of the Zander Circuitry Foxxton Woods fuzz features a more compact footprint, beautiful knurled steel controls, and an upgrade from six to eight options on the signature clipping selector:

  • Germanium: A smooth, sweet sounding form of clipping, very ‘amp-like’ in its response.
  • Silicon: Louder, brighter and more aggressive sounding.
  • LED: Even louder, less saturated but very punchy.
  • Asymmetrical germanium: A more aggressive germanium sound.
  • Asymmetrical silicon: Beefing up the aggression of the silicon sound.
  • Asymmetrical LED: A more aggressive version of the LED sound.
  • MOSFET: Similar to the silicon setting but a bit sweeter, crunchier and a touch more saturated.
  • No  diodes: Loads of output but not much gain.

The pedal features two foot-switches, enabling you to access the octave-fuzz or fuzz separately - each is also linked to an independent volume control. The switches support both momentary and latching switching, meaning that you can temporarily engage one of the effects by holding your foot down on the relevant switch then releasing it when you're done.

Features:

  • Updated version of Foxxton Woods for 2021
  • Top-mounted jacks
  • Gain, Tone, Body, Shift, O Level, F Level & Diode Selector Controls
  • Power: 9V power adaptor, centre-negative (not included).
  • Current draw: 128mA

 

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GREENHOUSE EFFECTS Roots Echo Front Transparent | Boost Guitar Pedals
GREENHOUSE EFFECTS Roots Echo Front Transparent | Boost Guitar Pedals
GREENHOUSE EFFECTS Roots Echo Right Context | Boost Guitar Pedals
GREENHOUSE EFFECTS Roots Echo Front Context | Boost Guitar Pedals

GREENHOUSE EFFECTS Roots Echo

£79.00

Superb Value Delay With Self-Oscillation Mode...

The Greenhouse Effects Roots Echo is a superb value analogue-style delay. Its delay time of up to 500ms takes you from straightforward slapback to ambient soundtracks with a near-endless trail of warm, lush repeats. 

Back-to-basics functionality makes the Roots Echo a dream to use, but it gives a nod to the future with its innovative switching...

DSS Switching

The Roots Echo features DSS (Dual Switching System), which allows you to hold down the footswitch to activate the self-oscillation mode for some great ambient sounds. Release the footswitch and the self-oscillations gradually die out.

Delay

The Delay control adjusts the delay time, up to 500ms.

Regen

The Regen control adjusts the number of times your original signal is repeated. Each repeat degrades in fidelity, just like it would with an analogue delay. 

Mix

Adjust the dry to wet signal ratio with the Mix control. You can set the Mix high for a more upfront delay, or set it lower for a more subtle effect.

Features:

  • Great value analogue-style delay pedal
  • 500ms max delay time
  • Innovative DSS footswitch with self-oscillation feature
  • Soft touch, silent switching
  • Delay, Regen & Mix controls
  • Power: 9V power adaptor, centre-negative (not included)

 

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GREENHOUSE EFFECTS Logos Chorus-Vibrato Front Transparent | Boost Guitar Pedals
GREENHOUSE EFFECTS Logos Chorus-Vibrato Front Transparent | Boost Guitar Pedals
GREENHOUSE EFFECTS Logos Chorus-Vibrato Context Left | Boost Guitar Pedals
GREENHOUSE EFFECTS Logos Chorus-Vibrato Context Right | Boost Guitar Pedals
GREENHOUSE EFFECTS Logos Chorus-Vibrato Context Wide | Boost Guitar Pedals

GREENHOUSE EFFECTS Logos Chorus-Vibrato

£158.00

Modulation Powerhouse...

The Greenhouse Effects Logos Chorus-Vibrato is a cleverly designed and beautifully executed modulation powerhouse with 3 chorus modes plus a classic vibrato effect accessed by turning the Mix knob to 100%.

What's more, an expression pedal input makes the Greenhouse Effects Logos even more controllable and versatile on the stage.

If a wealth of chorus is what you are after, the Logos has it: pitch shifting, multiple voices, LFO, feedback, envelope detection, waveforms, distortion and even reverb are blended together and rearranged to make 48 different combinations of incredible modulation.

The pedal's party trick is its "Logos" mode, which is a chorus with an LFO featuring various pitch interval settings and added reverb. As Roy at Greenhouse Effects says, "it feels like an organ player is playing along with you in a large hall!"

The 3 Chorus Modes:

  1. Order Mode: Classic chorus with up to 8 cascading voices, normal to extreme depth, DSS: Max Depth for noisy chaos. Hidden feature: Automated rate.
  2. Chaos Mode: 8 chaotic modes of pitch modulation, envelope LFO, waveforms and double voice. DSS: Max Depth
  3. Logos Mode: Beautiful, dreamy chorus with 8 combinations of modulated intervals, octave up/down, 5th intervals, and flanger-like modulation at lower settings. This setting includes a hall-style reverb for added angelic ambience. DSS: Max Depth for noisy chaos. Hidden feature: LFO off. 

DSS Switching

One genius implementation is the DSS (Dual Switching System) , which gives you access to secondary functions in each mode when you hold down the footswitch for more than 200ms. There are also "hidden" features for each mode, accessed by maxing out the Rate control.

The Logos is another example of the great work Greenhouse Effects has been doing combining analogue circuitry with digital controls. Sit down with this for a weekend and explore all the sounds it has to offer - there's a lot to discover!

Features:

  • Multi-mode chorus pedal with vibrato setting
  • Unique "Logos" mode
  • Mod, Depth, Rate/Sens/Pitch & Mix controls
  • True bypass
  • Power: 9V power adaptor, centre-negative (not included)

 

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GREENHOUSE EFFECTS Roots Fuzz Front Transparent | Boost Guitar Pedals
GREENHOUSE EFFECTS Roots Fuzz Front Transparent | Boost Guitar Pedals
GREENHOUSE EFFECTS Roots Fuzz Context Left | Boost Guitar Pedals
GREENHOUSE EFFECTS Roots Fuzz Front Context | Boost Guitar Pedals

GREENHOUSE EFFECTS Roots Fuzz

£79.00

Superb Value Dual-Channel Fuzz...

The Greenhouse Effects Roots Fuzz is the latest fuzz pedal from the Israel-based brand. The first in the new Roots range, its budget-conscious design forsakes the innovation and versatility of the flagship pedals for back-to-basics functionality with a twist...

DSS Switching

The Roots Fuzz is a dual-channel fuzz, using DSS (Dual Switching System) to access two separate channels as well as turn the effect on and off, with just one footswitch.

Loosely based on the Big Muff, the Roots Fuzz is an aggressive sounding pedal, with each channel having a distinctive voice:

Red Channel

More open sounding, smoother, with more headroom and a hint of upper octave at maximum gain.

Blue Channel

Darker, denser and more compressed, with plenty of sustain and bloom.

Tone Control

The Tone control is useable right through the range - Roy recommends trying it with the tone turned completely down.

Sustain Control

The Sustain control takes you from medium gain settings through to heavy distortion and then a wall of fuzz

Features:

  • Great value Big Muff-style fuzz pedal
  • Innovative DSS footswitch with dual-channel feature
  • Soft touch, silent switching
  • Volume, Tone & Sustain controls
  • Power: 9V power adaptor, centre-negative (not included)

     

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    ZANDER CIRCUITRY Sono Bass Fuzz & Preamp front transparent | Boost Guitar Pedals
    ZANDER CIRCUITRY Sono Bass Fuzz & Preamp front transparent | Boost Guitar Pedals
    ZANDER CIRCUITRY Sono Bass Fuzz & Preamp top transparent | Boost Guitar Pedals

    ZANDER CIRCUITRY Sono Bass Fuzz & Preamp

    £149.00

    Built For Bass!

    The Zander Circuitry Sono is one for all you bassists out there: a bass fuzz and preamp in a single small package. 

    The preamp side of the pedal takes you from clean to medium-gain, and importantly the Blend control allows you to add back in some of your original signal for clarity and spank. 

    Add fuzz to a good core bass tone and you have the recipe for some awesome sounds. Use the fuzz side of the Sono to dial in a tone that suits, and use the Blend control to add back in some of your original signal to ensure nothing gets lost in action. The Rip control enables you to dial in compression and some of that delicious gated/ velcro mayhem. Seriously, let it rip!

    As the preamp and fuzz sides are completely independent, you can also stack them together for even more flexibility.

    What's new?

    This latest version of the Zander Circuitry Sono Bass Fuzz & Preamp features a more compact footprint, with bespoke knurled steel controls. The Blend controls have been updated to work better, the fuzz tone has been tweaked, and the preamp side now offers a wider gain range.

    The footswitches support both momentary and latching switching, meaning that you can temporarily engage a channel by holding your foot down on either one of the switches. You can also now engage the second footswitch from bypass, without having to activate the pedal first.

    Features:

    • Updated version of Sono Bass Fuzz & Preamp for 2021
    • Super-versatile fuzz and preamp pedal specifically tuned for bass guitar
    • Top-mounted jacks
    • P Lvl, P Gain, P Blend, F Lvl, F Gain, F Blend, F Tone & F Rip controls
    • Power: 9V power adaptor, centre-negative (not included).
    • Current draw: 135mA
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    FREDRIC EFFECTS Accomplished Badger Germanium Preamp  Front Transparent | Boost Guitar Pedals
    FREDRIC EFFECTS Accomplished Badger Germanium Preamp  Front Transparent | Boost Guitar Pedals
    FREDRIC EFFECTS Accomplished Badger Germanium Preamp  Front Context | Boost Guitar Pedals
    FREDRIC EFFECTS Accomplished Badger Germanium Preamp  Left Context | Boost Guitar Pedals

    FREDRIC EFFECTS Accomplished Badger Germanium Preamp

    £125.00

    An Accomplished Multitool...

    The Fredric Effects Accomplished Badger is a dual-stage preamp/boost utilising a 4558 op-amp stage which drives A NOS vintage germanium transistor.

    Impressive Internals

    To maximise its potential as a clean boost, the Accomplished Badger features an internal charge-pump which runs at 18v from a 9v input. An audio-grade Triad output transformer provides musical saturation and breakup character.

    What sounds can I get out of the Accomplished Badger?

    The result is a glorious sound that goes from ultra-clean to harmonically rich.

    You can turn the germanium stage right down for a super-clean op-amp boost, while turning up the germanium gain stage and driving it hard with the Clean Gain mini pot gets you into super-saturated, gritty, velcro fuzz territory.

    Turning both controls to middling levels gives way to beautifully expansive tones with that characteristic germanium responsiveness and "bounce".

    This is a super-versatile low-gain pedal, giving you the option of dialling in as much or as little germanium colouration as you like, or allowing you to run it as a clean preamp. A must for your pedalboard!

    Features:

    • Dual-stage preamp/boost
    • NOS vintage germanium transistors
    • Internal charge pump converts 9V to 18V for more headroom
    • Handmade in London, UK
    • Gain, Volume, Si Bias, Ge Bias & circuit toggle controls
    • Power: 9V centre-negative or 9V battery (neither included)
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    FREDRIC EFFECTS DuoFace Front Transparent | Boost Guitar Pedals
    FREDRIC EFFECTS DuoFace Front Transparent | Boost Guitar Pedals
    FREDRIC EFFECTS DuoFace Front Context | Boost Guitar Pedals

    FREDRIC EFFECTS DuoFace

    £140.00

    Dual Personality Fuzz Face...

    The Fredric Effects DuoFace is your one-stop shop for the Fuzz Face tones you've been dreaming of. Whether you covet the germanium circuit of early Hendrix, or the more agressive post-'68 silicon version, the DuoFace allows you to have both in a single pedal.

    The Fuzz Face is one of the most famous fuzz pedals of all time, used by guitarists including Jimi Hendrix, David Gilmour, Duane Allman, Stevie Ray Vaughan, Eric Johnson and Joe Bonamassa. It's renowned for its ability to clean up with the guitar's volume pot, making it a great effect if you like to control your sound with your fingers rather than your feet.

    The DuoFace allows you to switch between the germanium and silicon circuits using the toggle switch, and each circuit features a Bias trimpot to adjust how the transistors react - from gated and splatty to smooth and sustainy - for a wide variety of useable sounds.

    Hendrix licks not included!

    Features:

    • Dual fuzz based on the Fuzz Face Germanium & silicon circuits
    • Handmade in London, UK
    • Gain, Volume, Si Bias, Ge Bias & circuit toggle controls
    • Power: 9V centre-negative or 9V battery (neither included)

     

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